The Shuttle
Country/Region:
United States
Release Year: 2017
Release Year: 2017
Story:
A Chinese nail salon owner in Los Angeles struggles with infertility while suspecting her husband of having an affair with a manicurist during his daily shuttle drives. When the shuttle arrives late once again, her doubts intensify, and she finally decides to confront him directly.
Runtime:
15
minutes
Language:
Mandarin, Cantonese, English
Subtitles:
Chinese, English
Festivals & Awards:
2018 TERMINUS Conference and Festival - Best Narrative Short, United States
2018 Asians on Film Festival - Best Ensemble Cast, United States
2018 Bushwick Film Festival - Best Short Narrative Film, United States
2018 Palm Springs International ShortFest, United States
2018 Los Angeles Asian Pacific Film Festival, United States
2018 Seattle Asian American Film Festival, United States
2018 Irvine International Film Festival, United States
2018 RiverRun International Film Festival, United States
2018 San Diego Underground Film Festival, United States
2018 Independent Film Festival Boston, United States
2018 Cannes Short Film Corner, France
2017 New Orleans Film Festival, United States
2017 Denver Film Festival, United States
2017 LA International Short Film Festival, United States
2018 TERMINUS Conference and Festival - Best Narrative Short, United States
2018 Asians on Film Festival - Best Ensemble Cast, United States
2018 Bushwick Film Festival - Best Short Narrative Film, United States
2018 Palm Springs International ShortFest, United States
2018 Los Angeles Asian Pacific Film Festival, United States
2018 Seattle Asian American Film Festival, United States
2018 Irvine International Film Festival, United States
2018 RiverRun International Film Festival, United States
2018 San Diego Underground Film Festival, United States
2018 Independent Film Festival Boston, United States
2018 Cannes Short Film Corner, France
2017 New Orleans Film Festival, United States
2017 Denver Film Festival, United States
2017 LA International Short Film Festival, United States
Tags:
#OverseasChinese
#GenderRelations
#LifeCondition
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Director‘s Statement:
“The Shuttle is about love, womanhood and independence.”
My mother got married and gave birth to me in her early twenties, and since then her roles as mother and wife chiefly define her identity. Even today, women are often expected to marry and have children for society to term them “good women.” Many married and infertile women therefore suffer great distress because they cannot provide an offspring. Even though sterile men can be unfairly blamed, women disportionately bear the brunt for failure to procreate. Moreover, many women feel they cannot divorce due to social stigma, and remain in unhappy marriages, a notion especially prevalent amongst the women from low socioeconomic backgrounds. I’ve personally seen many women suffer from these problems, and it makes me all the more determined to be a voice for these women. That’s why I explored issues of infertility, infidelity, and immobilization of women in this short film.
In movies, the portrayal of the wife and mistress almost always follows the same line. The wife is the victim and the mistress is the devil. However, in relationships there is no absolute right or wrong. Often the wife, the mistress, even the husband can all be considered the victim in many regards. I want to explore these human relationships through a relatively unbiased lenses. All key characters have a reason or motivation for their action. Nobody is born pure evil or good; by moving the three characters along the spectrum closer mirrors the true state of humanity. When I write, I always weave social, political, and moral themes into the main narrative. My hope is to capture the unfolding stories of ordinary people; so the screen becomes a mirror or vessel to connect the dramas of their own lives lurking just below the surface. I believe good stories connect us all. I hope audiences will see themselves though the characters I created.
My mother got married and gave birth to me in her early twenties, and since then her roles as mother and wife chiefly define her identity. Even today, women are often expected to marry and have children for society to term them “good women.” Many married and infertile women therefore suffer great distress because they cannot provide an offspring. Even though sterile men can be unfairly blamed, women disportionately bear the brunt for failure to procreate. Moreover, many women feel they cannot divorce due to social stigma, and remain in unhappy marriages, a notion especially prevalent amongst the women from low socioeconomic backgrounds. I’ve personally seen many women suffer from these problems, and it makes me all the more determined to be a voice for these women. That’s why I explored issues of infertility, infidelity, and immobilization of women in this short film.
In movies, the portrayal of the wife and mistress almost always follows the same line. The wife is the victim and the mistress is the devil. However, in relationships there is no absolute right or wrong. Often the wife, the mistress, even the husband can all be considered the victim in many regards. I want to explore these human relationships through a relatively unbiased lenses. All key characters have a reason or motivation for their action. Nobody is born pure evil or good; by moving the three characters along the spectrum closer mirrors the true state of humanity. When I write, I always weave social, political, and moral themes into the main narrative. My hope is to capture the unfolding stories of ordinary people; so the screen becomes a mirror or vessel to connect the dramas of their own lives lurking just below the surface. I believe good stories connect us all. I hope audiences will see themselves though the characters I created.
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Story:
A Chinese nail salon owner in Los Angeles struggles with infertility while suspecting her husband of having an affair with a manicurist during his daily shuttle drives. When the shuttle arrives late once again, her doubts intensify, and she finally decides to confront him directly.
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